![]() The camera is weather-sealed and sturdy, making it suitable for outdoor use, and its ports – concealed behind waterproof flaps – are thoughtfully placed.įor example, with the microphone port in use, the flip-out screen is still perfectly visible from the front. I’d rather have the menu accessible with my thumb when I’m holding the camera, plus a second adjustment dial on the front of the grip, but aside from that it all works well. On top, there’s a PASM mode dial (with dedicated video, slow and quick and auto settings, plus three customisable modes), an exposure compensation dial, a good-sized video stop/start button and a shutter button that sits on top of a power switch.Īt the rear you’ll find a thumb wheel for adjusting settings, cursor controls and some other basics, plus a menu button above the screen. With a smaller lens, such as the compact 28-60mm zoom (available in a kit with the A7C body), everything feels nicely balanced and startlingly lightweight for a full-frame model. Those who prefer a classic DSLR shape might also lament the lack of a huge ergonomic grip for their right hand, but I found the Sony A7C perfectly comfortable to hold for long periods – even with Sony’s bulky 24-70mm G lens attached. A multi-interface hot shoe up on top supports external flashes and other add-ons, including Sony’s nifty digital microphones. There’s no pop-up flash either, which probably won’t be missed by too many people. And, for my money, the only real casualty of this downsizing is the slightly poky viewfinder, which feels squeezed by the new rangefinder-style shape. While that’s a little bulkier than the average APS-C mirrorless camera, it’s tiny by full-frame standards. ![]() Without a lens attached, the A7C weighs a shade over 500g and measures a trim 124 x 71.1 x 59.7mm.
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